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Dighay Hothat (At Digha, all of a sudden)-Nirendranath Chakravarty

As if with a sudden sweep she tugged the landscape off- The Sea. The sky, she pulled it down and rolled it open on the ground- The Sea. Or as from its hiding Right before one’s eyes, a deer Struck by a bullet shot, unanticipated Leaps high up in the air, Likewise from deep beneath Penetrating through all its sheaths All of a sudden, across the earth     Up sprang before my eyes- the Sea.

Tumi kon dawle (Which team do you belong to) -Shankha Ghosh

When one comes hurrying to grip the handle of a bus,“Which team are you?” you ask. Right before you allow a spoonful food inside a hungry mouth, you ask “What is your affiliation?” Hit by the bullet of Police, he lies on the rocks, But before helping him up you make sure where his allegiance lies With blood on both hands you still look out for which of his hands is colored! Holding a torch through the tunnels you probe the faces,his, her and their, who has the tattoo and who doesn’t What goals and what ideas?They come later. First, tell me “On which side are you?” Who died in Bhilai and who ran to the village of Chhattisgarh, whose head deserve s a lesser price On which roads should the blades dance and clash, on which roads should they march slower Before you render your verdict, you underline the question again “On which side are you?” After cutting loose a stale corpse from the suicide noose, you whisper into its ears, “Which team?” The ques...

Jibana Maraner Seemana Chharaye (Transcending the ambits of life and death)-Rabindranath Tagore

Transcending the ambits Of life and of death, O my Friend, you stand And draw your breath. In the desolate skies Of this heart of mine, ‘Tis your throne immersed   In such ethereal shine. With profound joy and a hope,  Perhaps farfetched, I gaze at it,  With my arms outstretched. Her darkness: her tresses Around your feet, the Night, Unfurls her burden In silence and in quiet. Deluging all, today, Which song is this? From your veena that pours Down to the deepest abyss! The world merges in As the tunes resonate. While in agony (of the song) Cast adrift, away I went.

Just a note. Not a translation

I realise the brilliance of any literary work  is far from being characterised by ‘translation  invariance’. (Sorry for the physics lingo; couldn't resist it!) Simply put, I know much of its scent is lost in trying to re-bottle the perfume. More so if it is an amateur at play. Yet if the reader familiar with these pieces can find the smell of the original, albeit faint and the unacquainted feel an urge to search about the poets or works by more professional translators (if not read mine further), I will consider my work done and celebrate! Not really. But it will be somewhat encouraging and perhaps I will try harder. P.S: I write this here since there were not enough characters in the space for 'description'.

Ulongo Raja (The Naked King)- Nirendranath Chakravarty

Everyone can see the King is naked. They keep clapping nonetheless. Bravo! They howl. Bravo! Some are possessed by prejudice, and some by fear; Some have mortgaged their judgments to others; While some are parasites, some Are devout acolytes, some just greedy or deceitful; Some think the royal fabric is indeed fine enough For their eyes to miss, yet it does adorn the King’s body Or at least that is not quite impossible. Everyone knows how the story goes. Yet in that story The crowd did not only consist of some flattering, Downright cowardly, scheming or thoughtless minions. A child too was present. Honest, simple and courageous, a child. The King of the story has descended on the roads of reality, in full view. Again rises the incessant roar of applause; A horde of bootlickers have assembled once again. But that child cannot be found Anywhere in the crowd today. Where did the child go? Has someone kept him in so...

Banalata Sen -Jibanananda Das

For a thousand years I am walking the same roads as the Earth, From the seas of Ceylon to Malayan waters, dark as the night Much I have roamed about; in the grey worlds of Bimbisara, Ashoka There I stayed; in the city of Vidarbha which was more afar in the dark; A tired soul, amidst the frothy ocean of life I am again, Gave me peace for moments, the one from Natore 1 , the only Banalata Sen. Her hair was as the dark nights in Vidisha of the era bygone; Her face was the workmanship of Shravasti; after crossing the seas Like the sailor with a broken helm, who is lost for long When sees the green scape in the cinnamon islands, comes at ease So I have seen her in the dark, she said, ‘Where were you so long?’ at the door Looking up with the eyes like the nest of bird, Banalata Sen, of Natore. At the end of all that the day was, like the sound of dew The evening sets in; the kite rubs off the smell of sun from its wing; When all colours ...

He Mahajiban (I summon the greatness that is life) -Sukanta Bhattacharya

I summon the greatness that is life, no more of this poetry, not anymore This time bring forth the hard harsh prose, Let the chiming grace of verses be undone! Today let the ruthless hammer of prose strike chaos. Need is not of the genteel charm of ballads So poetry you are dismissed this very day, In the realm of hunger earth is only prosaic The full of the moon is but a burned roti.